Member Log In   Shopping Cart
KineticFlix
KineticFlix
KineticFlix KineticFlix KineticFlix KineticFlix KineticFlix KineticFlix KineticFlix

Subscribe Now

Subscribe to our newsletter and receive the latest information on new releases, upcoming titles, specials and promotions.

Home »  »  Dance DVDs »  Ballet »  Performance » The Dream-American Ballet Theatre

The Dream-American Ballet Theatre

The Dream-American Ballet Theatre View large image
KineticFlix KineticFlix KineticFlix
KineticFlix
avg.rating: 0
from 0 customers

Log in to rate item
KineticFlix
KineticFlix KineticFlix KineticFlix
Premiering in 1964, Sir Frederick Ashton's ballet THE DREAM provides a magical adaptation of William Shakespeare's A MIDSUMMER NIGHT'S DREAM. Set to soothing music by Felix Mendelssohn, this charming ballet provides a comic web of fairies, sprites, and star-crossed lovers.

Lovely charmer, March 29, 2006

Reviewer: Ivy Lin (NY NY) - See all my reviews

In 1962, George Balanchine choreographed "Midsummer's Night Dream," which has become one of his most well-loved ballets. It is structured much like a classical ballet. The first act is in the woods, the second act is a series of divertissements. Two years later, Sir Frederick Ashton choreographed "The Dream," also a take on Shakespeare's play, and also using Mendelssohn's famous score. Despite the similarities in music and source, the Balanchine and Ashton ballets differ quite a bit. Ironically, Balanchine, who so championed abstract, plotless ballets, made his ballet more plot-based. More traditional ballet storytelling devices are used, such as mime. Ashton's ballet, while telling essentially the same story, is more dance-driven.

The focus of the ballets also differs slightly. The heart of the Ashton ballet is the conflict and reconciliation of the quarreling Fairy Queen Titania and Fairy King Oberon. While the comic storylines of Titania falling in love with a donkey and the quarreling of the interchangable lovers (Hermia, Lysander, Helenia, and Demetrius) are all touched upon, essentially this is Oberon and Titania's show. The ballet ends with a lovely duet of reconciliation between the two fairies. Balanchine, on the other hand, focused more on the comic aspects of the play. Puck's confusion as he administers his love potions, the incredibly silly lover-foursome, and most of all, Titania's love for Bottom the Donkeyhead. In fact, the major pas de deux is between Titania and Bottom. Ashton uses the same music in the reconciliation pas de deux between Oberon and Titania. I think overall, Balanchine tells the story better. It's not that Ashton doesnt tell the same story, but he doesn't underline and clarify it the way Balanchine does via mime and clever stage action. Balanchine's second act also includes one of his most beautiful pas de deux he ever choreographed.

That being said, I enjoy both ballets, although I find Balanchine's to be more funny and entertaining. This video of The Dream is certainly excellent. The American Ballet Theatre in recent years has grown into a worldclass ballet company. It always had famous international soloists, but now the corps work is also excellent, and there really is no weak link in the cast. In particular, the port-te-bras of the corps de ballet has improved by leaps and bounds compared to videos from the 1970s and 1980s, and you can see this in the video. The fairies are lovely and garner much applause from the appreciative audience. (In Balanchine's version, some of the fairies and butterflies are cute kids.) The costumes and sets are almost breathtakingly beautiful.

The lovely, graceful Alessandra Ferri is an elegant yet sexy Titania. Never a classical technician, this kind of role is perfect for Ferri, who really looks best floating around the stage in chiffony dresses. This is not a knock on Ferri's dancing, but she's not really a tutu ballerina. Her strength lies in the wonderful softness of her dancing, her seeming weightlessness, and her overall grace and charm. Ethan Stiefel (Oberon) has always had a somewhat stern, forbidding stage presence, and it's well suited for the role of Oberon who is, after all, a jerk. He's tall, thin, and he used to dance with the New York City Ballet, so he still has that company's strength of being adept at fast footwork. His technical skills are formidable, although for me he lacks that little extra something that would catapult him from a very good dancer to a true star. Herman Cornejo is an excellent Puck -- short, but with incredible elevation, he really does seem to be a sprite flying about the woods. In Ashton's ballet the lovers (Stella Abrera, Carlos Molina, Marian Butler, and Ethan Brown) have little dancing to do, but they are entertaining. Overall, an enjoyable, charming video, although I think it's overpriced, as it is, after all, only 50 minutes long. Usually this ballet is paired with another ballet. One wonders what that ballet was, and why it wasn't taped. There is an excellent video of Balanchine's Midsummer's Night Dream that is available on dvd, danced by the Pacific Northwest Ballet.
Starring:
Alessandra Ferri, Carlos Molina, Ethan Stiefel, Herman Cornejo, Marian Butler, Stella Abrera, The American Ballet Theatre
Genre:
Performance
Format:
DVD
Release year:
2004
Running time:
54 min.
For Rental: Available now


Recommended

Margot Fonteyn - A Film By Tony Palmer Margot Fonteyn - A Film By Ton...
Mayerling-Kenneth MacMillan's-The Royal Ballet Mayerling-Kenneth MacMillan's-...
Swan Lake-Matthew Bourne Swan Lake-Matthew Bourne
Dancing For Dollars - The Bolshoi in Vegas / The Kirov in Petersburg Dancing For Dollars - The Bols...
La Bayadere-Natalia Makarova w/Zakharova, Bolle La Bayadere-Natalia Makarova w...

Log in to write your review.

Privacy Policy   |    Terms of Use   |    Site Map
Copyright 2009 KineticFlix
All rights reserved.
Powered and supported by W3Rent™